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4. Sequenza developed a little differently. The material I begin with just happens to be simple, distinctive, and easily remembered. Its chromatic nature lends itself easily to variation and transposition, hence it becomes like a huge sequence. I use the term “sequenza” with apologies to Luciano Berio who used the title for a whole series of virtuosic solo works for different instruments. Instead of moving like a spring or spiral, the piece seems to move like a rogue planet that keeps swinging next to the sun and getting thrown off in a completely different direction.

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from Hold That Thought, released November 16, 2018

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Glenn Stallcop Phoenix, Arizona

Glenn Stallcop is a composer, pianist, and a long-time double bassist with the Phoenix Symphony. He has recorded many albums of piano improvisation over the last 20 years. He is a well-established composer with over 100 published works for orchestra, chamber music and vocal works, solo piano and double bass. ... more

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