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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Campaign, Turning, Daydream, Interface, Soul Trek, Cherished Moments, The Drones of Contemplation, Wind and Chimes, and 41 more. , and , .

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1.
Work Song 06:08
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2.
Outburst 05:51
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3.
Chorale 05:17
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4.
Daydream 05:57
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5.
Dew Point 06:37
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6.
Hard Knocks 05:42
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7.
Hunting for Faeries 06:00
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8.
Nocturne 06:04
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9.
Intermezzo No. 2 04:09
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10.
Chanson 03:27
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11.
Toccata 07:46
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about

Grind is an album of piano tracks loosely organized around the concept of work. There are many different attitudes toward work, and many different types of work, as well. Personally, my attitude towards work is rather complex, as much of it is creative and totally absorbing, and all of it is artistic. For much of my life I have been a “workaholic,” but a lot of the time my work has been self-motivated.

For my entire career, my “employment” has been playing double bass for a major symphony orchestra. For some musicians, this constitutes a pinnacle position; some non-musicians do not consider this to be work at all. Actually a symphony orchestra job can be quite demanding, though the rewards can be great as well, and it is more physically taxing than one might expect. Even so, I’ve never worked more than about 25 hours per week on the job. This, however, does not take into account all the practicing I’ve done at home. You start to add everything up – rehearsals, concerts, practicing, six days per week, working mornings and nights, driving, travel – and it starts to sound a lot more like work. Most musicians also teach lessons, which can take up most of their remaining time. I have never done much teaching because I have filled my extra time with creating and performing my own music. As I said, it’s complicated.

Music and the concept of a steady pulse are one of the great inventions in human history. It allows people to work TOGETHER. Working together involves synchronization and without music and dance, that would have never happened. My album, however, is about our personal relationship to work, rather than the work itself, and is more emotional than physical.

Notes for each track are posted on that track. Full program notes may be found on my blog;

compandimprov.wordpress.com/2018/09/06/grind/

credits

released September 7, 2018

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Glenn Stallcop Phoenix, Arizona

Glenn Stallcop is a composer, pianist, and a long-time double bassist with the Phoenix Symphony. He has recorded many albums of piano improvisation over the last 20 years. He is a well-established composer with over 100 published works for orchestra, chamber music and vocal works, solo piano and double bass. ... more

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